The journal

Notes from the atelier

Materials, method and the slow parts of perfumery that rarely appear in a campaign. Written in Grasse, published when there is something worth saying.

Reading a fragrance pyramid
Notes & method

Reading a fragrance pyramid

Top, heart and base are not three perfumes stacked — they are one composition revealing itself at three speeds. Here is how to smell each stage without confusing evaporation for change.

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Why oud must be aged
Materials

Why oud must be aged

Fresh oud oil is animalic to the point of discomfort. Six years in barrel converts that raw edge into something closer to warm smoke. We open a 2019 barrel and describe what changed.

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Harvesting jasmine before dawn
Grasse

Harvesting jasmine before dawn

Between four and seven in the morning the flower still holds its indolic sweetness. By nine, it is gone. A morning with the pickers on the Route de Cannes.

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Extrait, parfum, eau de parfum
Explained

Extrait, parfum, eau de parfum

Concentration changes more than strength: it changes which materials survive to the base. A short guide to what the percentages actually mean on skin.

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The case for eleven weeks
Craft

The case for eleven weeks

Maceration is invisible, expensive and unmarketable. It is also the single largest difference between a fragrance that opens harsh and one that opens whole.

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How to store a flacon
Care

How to store a flacon

Light, heat and oxygen are the three enemies. Store upright, in the box, away from the bathroom — and why the fridge is a myth.

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Correspondence

Four letters a year

No promotions. One letter per harvest, with the batch notes and the release date of the next composition.